Dr. Bird's Advice for Sad Poets

by Evan Roskos

Soon to be a major motion picture starring Jason Isaacs, Taylor Russell, and Lisa Edelstein! 


A 16-year-old boy attempts to save himself by writing poems, hugging trees, and figuring out what it takes to be a good brother. James experiences the highs and lows of depression as he tries to figure out how it’s possible to survive, even when everyone else seems to be doing all they can to make a kid feel crazy.

  • Format: eBook
  • ISBN-13/ EAN: 9780544035652
  • ISBN-10: 0544035658
  • Pages: 320
  • Publication Date: 03/05/2013
  • Carton Quantity: 1

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About the Book
About the Author
  • About the Book

    Soon to be a major motion picture starring Jason Isaacs, Taylor Russell, and Lisa Edelstein! 


    * “Self-deprecating humor abounds in this debut novel that pulls no punches about the experience of depression and anxiety for its teen protagonist. . . . Captivating introspection from a winning character.”—Kirkus Reviews, starred review 


    Sixteen-year-old James Whitman has been yawping (à la Whitman) at his abusive father ever since he kicked his older sister out of the house. James’s painful struggle with anxiety and depression—along with his ongoing quest to understand what led to his sister’s exile—make for a heart-rending read, but his wild, exuberant Whitmanization of the world and keen sense of humor keep this emotionally charged novel buoyant. A Morris Award Honor Book.

  • About the Author
  • Excerpts


    I YAWP MOST MORNINGS to irritate my father, the Brute.

    "Yawp! Yawp!" It moves him out of the bathroom faster.

    He responds with the gruff "All right." He dislikes things that seem like fun.

    I do not yawp like Walt Whitman for fun. Ever since the Brute literally threw my older sister Jorie out of the house, I yawp at him because he hates it. My father says reciting Walt Whitman is impractical, irrational. My father says even reading Walt Whitman is a waste of time, despite the fact that we share his last name. My father says Walt Whitman never made a dime, which is not true. I looked it up. Not just on Wikipedia but in a book that also said Walt used to write reviews for Leaves of Grass—his own book!—under fake names.

    Who does that? Walt does!

    The perfect poet for me. I’m a depressed, anxious kid.

    I hate myself but I love Walt Whitman, the kook. I need to be more positive, so I wake myself up every morning with a song of my self.

    Walt says:

    I celebrate myself, and sing myself,

    And what I assume you shall assume,

    For every atom belonging to me as good

    belongs to you.

    I say:

    I am James Whitman.

    I define myself and answer the question that was asked with my momentous birth!

    I am light! I am truth! I am might! I am youth!

    I assume myself and become what you assume!

    I leap from my bed, bedraggled but lively! Vigorous, not slowpoked and sapped with misery (despite my eyes and aching teeth, which grind all night)!

    I bathe, washing the atoms that belong to me but are not me.

    I brush my teeth. Away! Away! Gummy grime of six hours’ sleep! Six hours of troubled dreams will not slow my hands as they scrunch my cowlicked hair into an acceptable—no, vital—posture!

    I adorn a bright shirt—sunburst of red on white, a meaningless pattern. But so is a sunset! So are clouds! I choose low-cut socks and cargo shorts with enough pockets to carry all my secrets.

    It is April, the first warm day of the year, a day where I can loaf and lounge and contemplate a spear of grass lying in my palm. A day when the sun has to work hard to burn off the mildew of a dillydallying winter that beat me to a pulp. A day when I forget depression, forget my beaten and banished sister, Jorie, living alone somewhere. A day to YAWP! out across the moist air of the park on my way to school. I do not mind the grass tickling my ankles. I do not mind the chill because I have my old green hoodie infused with the musk of the prior fall, the dander in the hood, the history of sweat!

    Ah, my self!

    I sing through the park, greeting trees, stopping beneath them to stare at the way the morning sky filters through the newborn leaves.

    I chitter at squirrels, who celebrate themselves.

    "Hello, my nutty friends!"

    Contemplating my demeanor, they hold their tiny paws to their mouths. But I need to keep walking, to keep moving, to get to school before my mood falls apart.

    Walt says:

    Dazzling and tremendous how quick the sun-rise

    would kill me,

    If I could not now and always send sun-rise out of


    Some days I feel like I’m on the verge of supernova-ing.

    Other days I’m a leaf of grass.

    Every day I miss my sister, expelled from home and school with just a few months left. No prom, no graduation, no celebration, no gifts. A metaphorical footprint on her ass after years of literal bruises on her body put there by my mother, the Banshee, and my father, the Brute. I loafed in my room while she raged on the front lawn, cursing the very house for the miserable nails that held it together to protect me and my mother and yawp-hating father.


    I hug trees, dozens on especially bad mornings when the walk to Charles Cheeseman High School feels long and insufferable.

    When I hug trees, the bark marks my cheek and reminds me I’m alive. Or that my nervous system is still intact. The trees breathe all the time and no one really notices. They take in the air we choke on. They live and die in silence. So I hug them. Someone should.

    When people see me hugging an old maple tree in the park, they probably think I’m a kook. I am okay with that, though I’d prefer they not let me know what they think of me. Let me be, I ask.

    Like Walt says: I cannot say to any person what I hear . . . . I cannot say it to myself . . . . it is very wonderful.

    I also hug trees to apologize to them. When I was in fourth grade, Jorie and I threw chunks of scrap bricks at a dogwood tree. Brick can really do some damage. Tears the thick skin right off and exposes pale tree flesh. When we stopped for a moment to collect the larger brick bits, my sister looked real close at what we did and said she felt horrible.

    "The tree is crying!" she said.

    "A tree’s a tree," I said, ready to adjust my technique for some real damage. "It can’t feel anything."

    But Jorie said that just because the tree couldn’t feel or speak or think didn’t mean we should throw bricks at it. She left me in the backyard. I spent an hour trying to put bark back on the vulnerable tree.


    ANOTHER TERRIBLE HIGH SCHOOL DAY awaits, though I’m calm after embracing four trees that will outlive me. As I step out of the park onto the pale sidewalk, I see Beth King across the street. The sight of her reminds me what a girl in a spring-friendly outfit looks like: wonderful. (Imagine butterflies so drawn in by a bright flower that they forget how to fly; that’s the feeling I get from Beth in her warm-weather outfit.)

    I pause to hug one last tree before jaywalking. I want Beth to notice me but not the crazy part of me. So, I keep my hand on the tree trunk and let her move ahead so I can follow her.

    As we walk, I see a bird in the street. It’s not flying away, and I know birds tend to hop a lot when scrounging for food. This one flaps one little wing like it’s injured. I look at the bird and at Beth and back at the bird. For a moment I think it would be awesome if she noticed the bird and showed some kind of concern, but she’s texting on her phone very intently.

    A car passes and I cringe—but it misses the bird, who flaps its wing frantically. I need to save the bird! No one else notices these things!

    If I can grab the sparrow (or finch or swallow) and get it to the other side of the street, then Beth will see I’m a sensitive, bird-loving man! Huzzah! A heroic grab of the bird and a well-timed "Yawp!" will win her heart!

    I jog at the perfect angle so that I can grab the bird, dodge oncoming traffic, and arrive light-footed on the opposite curb. Maybe even a somersault! This will be the greatest how-we-met story ever!

    I dart into the street and make a quick grab for the critter. I need to hurry to get through the lane and over to the other sidewalk, so Beth can cheer me and hug me and appreciate the acrobatic Olympic double-roll hop I’ve just somehow initiated.

    I’m airborne!

    I’m really a superhero!

    I think I’ve been hit by a bus!

    The horizon flips around—twice, I think. The bird crumples in my hand. Suddenly I cannot see clearly. I hold on to the bird but lots of things hurt.

    The diesel smell of the bus is the smell of my shame. The kids on the bus are laughing at me. I know none of them thinks this is a serious issue. The bus driver comes out and screeches at me.

    "What ...

  • Reviews
    "Roskos has created a character that does not necessarily change throughout the book, but learns to live with himself as he is, to celebrate himself and those around him even as flawed as they are."
    VOYA, 4Q 3P S

    "Self-deprecating humor abounds in this debut novel that pulls no punches about the experience of depression and anxiety for its teen protagonist . . . Captivating introspection from a winning character."
    Kirkus, starred review

    "Author Roskos's strength lies in his refusal to tidy up the mess in James's life and in his relentless honesty about surviving with depression and anxiety."
    Horn Book

    "Roskos effectively sketches James as a boy who is far more comfortable inside his own head than in connecting with others . . . Bravely facing real sorrow, James confronts his problems with grace and courage."
    Publishers Weekly

    "Roskos' first novel is rich with hilarity and realistic inner dialogue . . . Give this darkly funny debut to fans of Stephen Chbosky's The Perks of Being a Wallflower."

    "Roskos perfectly captures the voice of a teen."
    School Library Journal

    "Many teen readers will recognize their own mood swings as they are amplified through James' pendulum, and they'll be enlightened by his revelation that life can be possible and rewarding even when it's really hard."
    Bulletin of the Center for Children's Books