The Unicorn in the Barn

by Jacqueline Ogburn, Rebecca Green

Dr. Dolittle meets The Last Unicorn in this tender and illustrated middle-grade fantasy about a boy and the unicorn that changes his worldview. 

  • Format: eBook
  • ISBN-13/ EAN: 9781328698896
  • ISBN-10: 1328698890
  • Pages: 304
  • Publication Date: 07/04/2017
  • Carton Quantity: 1

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About the Book
About the Authors
  • About the Book

    For years people have claimed to see a mysterious white deer in the woods around Chinaberry Creek. It always gets away. 

          One evening, Eric Harper thinks he spots it. But a deer doesn’t have a coat that shimmers like a pearl. And a deer certainly isn’t born with an ivory horn curling from its forehead. 

          When Eric discovers the unicorn is hurt and being taken care of by the vet next door and her daughter, Allegra, his life is transformed. 

          A tender tale of love, loss, and the connections we make, The Unicorn in the Barn shows us that sometimes ordinary life takes extraordinary turns.

  • About the Author
  • Excerpts


    My dad always told me, “Never surprise somebody swinging a hammer; something is liable to get smashed.” Still, when I first saw Allegra Brancusi, I couldn’t help myself. She was slapping a No Trespassing sign up against a tree—?my tree. The one with my treehouse in it. 

         “Hey, stop that!” I shouted. She was raising the hammer to drive in the nail and, sure enough, that hammer went flying back over her shoulder and nearly clipped me on the arm. 

         She whirled around and glared at me. “You shouldn’t sneak up on people like that. It’s rude.” It’s not like I had done a commando crawl through the bushes for the sole purpose of sneaking up on her. I had just walked down the path like always. Not my fault I couldn’t see her until I got to the top of the ridge. “I’m posting these signs and you can’t stop me,” she said, shaking the yellow-and-black poster in my face. 

         “I can see that. What I want to know is why. This is Harper’s Woods and I’m a Harper. That’s my treehouse up there and you can’t keep me out.” I glared back. 

         “Well, Mr. A. Harper, it should be called Brancusi Woods now and I’m Allegra Brancusi, that’s why.” She swung her arm out, using the poster as a pointer. “My mother bought this farm. She told me to post these No Trespassing signs on this side of our property, in a line starting at that telephone pole.” 

         The telephone pole was the third one down from our mailbox, next to the road at the bottom of the hill. It had a ring of yellow-and-black signs wrapped around it. There was a stretch of weeds that used to be a cornfield, and right behind it, the edge of the woods. Sure enough, a line of posters marked trees every few feet, up to where we were standing. She was right about where the property line started, but not about where it ran. I set her straight right then. 

         “So, Allegra Who-si, didn’t your mom tell you about surveyor’s stakes?” She shook her head. “Your property line starts at that pole, but it doesn’t run straight up to the top of the ridge. See those stakes with the orange ribbons? That’s where the line is.” I pointed at the stake about fifty yards down the hill and to another stake ten feet beyond that and another beyond that. Her eyes followed my finger and she bit her bottom lip, looking uncertain now. “How do you know that?” she asked. 

         “I helped the surveyor set them out. We had to sell the farmhouse, but my dad promised we’d keep the top of this hill. Bobby Knapp did the surveying; you can ask him.” I picked up the hammer and handed it back to her. “If anybody is trespassing here, it’s you.” 

         “Oh,” she said, taking the hammer and poking it through a loop on the leg of her carpenter jeans. It was the first time I ever saw a girl do that—?actually use one of those loops for what you’re supposed to. She looked back at the line of stakes, then picked up her backpack and stuffed the poster back inside. “Fine,” she said. “I’ll ask my mom about the stakes.” 

         “Yeah, well, you should check things out before you go hammering on other people’s trees.” I crossed my arms and waited. 

         “Whatever,” she said, shrugging her backpack across her shoulder. She stomped off down the hill toward the big white farmhouse that used to be my grandmother’s. 

         I grabbed on to the board nailed about four feet up the trunk and scrambled into my treehouse. It’s not much to look at, but it’s been my favorite place since I was six. It’s a small wooden square stuck to the side of the tree, just big enough for me to stretch out in. I built up the sides to about three feet high and I have a tarp in it to keep the rain off my stuff. The boards are this nice silvery gray color now. 

         The best thing is, it’s on this ridge, so you can see real well all around. It’s the perfect place to watch everything. I can even see where the little creek runs to the north. When the wind is still, I can hear the water. 

         Down to the west is my house, a brick ranch. It’s pretty close to the road, but still has a nice stand of trees curving around it, like the woods are holding the house in its arms. My dad built it when he married my mom. On the other side of the rise, farther back in the woods, sits the farmhouse with a wraparound porch and a bunch of outbuildings. My many-times great-granddaddy, Cletus Harper, built the front part, just two little rooms and a fireplace, near about two hundred years ago. Harpers have been adding on to it ever since. 

         I peered over the side to watch Allegra trudge down the path out of the woods and into the backyard of the farmhouse. When Grandma was living there, I must have walked that path at least four or five times a day. I hadn’t been down it in months, not since Grandma had to move into the nursing home and we had to sell the farmhouse. The girl disappeared around the back corner of the house. I heard the screen door slam, so I guess she went inside. 

         After a few minutes, I figured she wasn’t coming back, so I stretched out on the boards. I let my eyes close to little slits, until the leaves and patches of light looked like big white and green blotches moving just beyond my eyelashes.

    I must’ve fallen asleep, because when I opened my eyes, everything was dark. The half-moon gave enough light to see some of the branches. Rising up on my knees, I shuffled around to look down at our house. My brother Steve’s car wasn’t in the carport. He was probably still at work. Ghostly blue light flickered from the den window. I guess Dad fell asleep too, in front of the TV again. My stomach growled. I had missed dinner, if anybody had bothered to fix it. 

         Leaves shushed and rustled over by the creek. It sounded like something big and cautious, maybe a deer, was passing. I just turned my head to look, so as not to make any sound and spook it. Even the weak lights from the house had dulled my night vision, so I couldn’t see anything at first. Then a pale shape moved near a clump of blackberry canes. It was too big to be a raccoon and too quiet to be a stray calf. 

         Maybe it was the white deer. People had talked about a white deer around here for ages, although nobody could say for sure if it was a buck or a doe. Every season, some hunter swore he shot it, but it always got away. 

         The boards creaked softly as I moved into a better position to watch. The animal stepped away from the underbrush, definitely the wrong size and shape for a calf. It came closer to the treehouse, moving slowly. My eyes had adjusted to the moonlight. 

         It wasn’t a deer. 

         White and glowing, with slender legs and a long curved neck, at first I thought it was a pony. Then it raised its head and I knew. Ponies don’t move so quietly through the woods. Ponies don’t have coats that shimmer like a pearl. And there’s ne...

  • Reviews
    "Animal-lovers will adore this enchanting, compassionate tale." —Booklist 


    "Eric's quiet, genuine, first-person voice tells a realistic story of family love and discovering one's true self, the presence of the unicorn and other magical creatures adding just a touch of whimsy to a story about very real emotions... A sensitive, moving debut."  —Kirkus