In dreamlike sequences, a man symbolically confronts the trauma of his family’s incarceration in the Japanese internment camps during World War II. This infamous event is made emotionally clear through his meeting a group of children all with strange name tags pinned to their coats. The man feels the helplessness of the children. Finally, desperately he releases the name tags like birds into the air to find their way home with the hope for a time when Americans will be seen as one people—not judged, mistrusted, or segregated because of their individual heritage.
Sixty years after thousands of Japanese Americans were unjustly imprisoned, the cogent prose and haunting paintings of renowned author and illustrator Allen Say remind readers of a dark chapter in America’s history.
About the Author
Allen Say
Allen Say was born in Yokohama, Japan, in 1937. He dreamed of becoming a cartoonist from the age of six, and, at age twelve, apprenticed himself to his favorite cartoonist, Noro Shinpei. For the next four years, Say learned to draw and paint under the direction of Noro, who has remained Say's mentor. Say illustrated his first children's book -- published in 1972 -- in a photo studio between shooting assignments. For years, Say continued writing and illustrating children's books on a part-time basis. But in 1987, while illustrating THE BOY OF THE THREE-YEAR NAP (Caldecott Honor Medal), he recaptured the joy he had known as a boy working in his master's studio. It was then that Say decided to make a full commitment to doing what he loves best: writing and illustrating children's books. Since then, he has written and illustrated many books, including TREE OF CRANES and GRANDFATHER'S JOURNEY, winner of the 1994 Caldecott Medal. He is a full-time writer and illustrator living in Portland, Oregon.
Excerpts
Reviews
"Say here enters the realm of dream--or rather, nightmare. Say's use of light and dark has a haunting effect...the images create an internal logic of their own, as emotionally convincing as any waking experience." Publishers Weekly, Starred
"Say's use of darkness in the portrayal of childhood innocence is a poignant interpretation of what children, whatever their culture, must feel when so tiny and scared and far from where they long to be." The Los Angeles Times
"What Say does so successfully here is to show how displaced children feel; how, through some unnamed strength, they manage to survive and find their way home....The story's real focus is not so much the re-examination of America's historical past as the recollection of its emotional past -- a past we become a part of through Allen Say's intense dreamscape." The New York Times Book Review